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    This mostly-raw blueberry pie is a snap to make and very versatile--the filling microwaves in a few minutes, and you don't even have to bake the zippy gingered graham cracker crust--perfect for a hot Fourth of July and all summer long.

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Medieval in LA: Sweet Spinach Tart

sweetened spinach tart for medieval feast

My daughter’s middle school social studies class has been preparing for this all month: today was the Medieval Feast. Lords, ladies, jesters, knights–and she chose to be the master chef. Others brought bags of apples and peas.

We baked a big Tart of Spinnage (courtesy of The English Huswife, 1615, by Gervase Markham) with adaptations. 1615–that’s Shakespeare and Elizabeth I, the early modern era, not the medieval. Still, some of the recipes were probably conserved, and some of the styles of flavoring as well. The fact that sugar is added to this one is reminiscent of Elizabeth I’s infamous sweet tooth, but it also makes the normally savory spinach a dish more in keeping with the earlier recipe collections so favored by Renaissance Faire participants.

Medieval recipes from the 1300s and 1400s indicate heavy use of cinnamon, ginger, mustard, pepper, galingale, and grains of paradise for the aristocratic classes, at least for their feast dishes. Fruits were routinely added to both meat and fish “Parma” tarts–those tarts, full of eggs, were probably much like today’s quiches.

But the recipe my daughter’s teacher e-mailed me had no eggs. The binder, an interesting choice, was “cast cream” or sour cream. Sour cream bakes up well in cheesecakes–labaneh, a Middle Eastern/Near Eastern version, is a lot thicker and bakes up even more nicely. I’ve made mini-cheesecakes from nothing but labaneh, sugar and lemon rind stirred together and baked in cookie crusts, and they came out beautifully. So I wasn’t too worried about the tart filling firming up enough.

The original recipe also contained no spices other than sugar (maybe I mean “flavorings” rather than “spices”), pepper and salt. Spinach, sour cream, sugar, pepper, salt…bland? Odd? Would the signature combination of vegetable and sweet get lost in the mix? No knowing. But for a medieval version, especially for a classroom tasting, we were going to have to do something slightly different, more purposeful.

A spinach tart with sugar? It was going to be a gustatory challenge for the class and its guests, a flavor combination we no longer encounter very much. Might as well make it interesting, and preferably good.

Which is why I adapted it to a sweetened tart of greens like Swiss chard. Versions of this are still served today in Nice (tourte de blettes or Swiss chard tart) and parts of Italy (torta di verdura or tart of greens) as a dessert. The filling often contains raisins and pine nuts as well as Parmesan cheese, and the pastry is often sweet and dusted with confectioner’s sugar before serving.  If it were awful, surely people like David Lebovitz wouldn’t be putting versions of it on their blogs. Novelty value can take you only so far. And his version contains a layer of apples on top of the chard…

The last thing I thought about was the learning experience for my daughter, the nascent (though not Re-nascent) master chef. The recipe her teacher sent home indicated “pastry shells”. As though you could go to the store and buy them.

No baking powder or soda allowed in the medieval era. No food processor. So my daughter cut up the butter and cut it into the flour with a pastry blender–once she realized the blades weren’t actually sharp–and then mashed it together with her hands, which was a lot more efficient. She made the spinach filling we decided on–very close to the assigned recipe, but with a bit of cinnamon and nutmeg, and a grating of lemon peel. In place of raisins, she put the extra bits of apple in the filling.

patting out the filling

She fit the pastry to the pan, pricked it out, filled it, and topped the spinach with a layer of finely sliced Granny Smith apples–most apples were probably tarter in those days than they are now.

slicing apples for the spinach tart

Dame Felidae demonstrates her knife skills

Then she placed the top layer of dough onto the tart, pinched it shut, slashed it in her own design and “endored” or gilded it with egg yolk/water glaze. We baked it in a (horrors! modern!) oven and thawed the “spinnage” out in the microwave before squeezing it, but other than that I think we were pretty much in the spirit. Continue reading

Food that’s fit to print–but is it fit to eat?

It’s the next “brilliant” thing. In the wake of Grant Achatz, Ferran Adrià et al, the now common your-photo-in-icing cake decorations made using an inkjet printer and soy-based and other edible inks have given way to 3D printable food–or at least that’s what the researchers at Cornell are calling it.

Hydrocolloid Printing: A Novel Platform for Customized Food Production (PDF)

Hydrocolloids are suspensions of fine particulates in liquids–in common terms, gels. Also pastes, like cake frosting or masa. Basically uniform goos. The Solid Freeform Fabrication (SFF) unit squirts the stuff through a computer-programmable injector needle onto a platform based on the design you feed in, and it goes in layers so you get an engineered form. Cool, right? Food, any shape you want, and they contend it can be any flavor too.

But it has to be made of goo. And it can’t clog the needle. And it’s not all that new–the Italians have been extruding pasta shapes for over a century. French pastry chefs did all the heavy lifting with choux paste and fondant flowers even longer ago. And in modern times Wilton makes all those fancy-looking metal tips for pastry bags that they sell in the craft chain stores and that will likely be tried out once and then sit forever in the back of your kitchen drawer.

But pastas, pastries and frostings are all about goo as a starting material. These guys are talking about fish.

Most of all, it isn’t all that appetizing, particularly when you see that they’re trying to sell you on a machine that can make what they’d like you to think of as a tomato with a goo composed of 1% gelatin, 8% xanthan gum and some tomato flavoring. Haven’t we had enough of synthetic tomatoes? Isn’t that what the heirloom movement is all about?

Apparently not. Here are the last couple of paragraphs of the paper I linked to above. See what you think.

It should be noted, however, that even if subtle differences are perceptible, it is not necessary in all cases to perfectly reproduce the original food; there is still great value in simulating the original food.

Regardless of whether a hydrocolloid approach is taken to food-SFF, or some other molecular gastronomic platform is employed, the potential future applications of food-SFF remain the same. From culinary professionals to laypeople, individuals from all walks of life will be drastically affected by food-SFF. Artistic boundaries will be pushed in fine dining and industrial producers will explore mass-customization. Laypeople will have housework time reduced and benefit from direct culinary skill injections. Web 2.0 will tackle the next great frontier as people from all over the world experience food in new ways, while forming social bonds and mass-collaborating.

Now that major barriers have been broken, such as high printer cost and proprietary restrictions, the stage is finally set for tremendous growth of food-SFF. Few things are more central to humanity than food, and therefore [it] should come as no surprise when food-SFF gains prominence as one of the 21st century’s important domestic technologies.

excerpted from:

Hydrocolloid Printing: A Novel Platform for Customized Food Production
Daniel L. Cohen, Jeffrey I. Lipton, Meredith Cutler, Deborah Coulter, Anthony Vesco, Hod Lipson

http://creativemachines.cornell.edu/sites/default/files/SFF09_Cohen1_0.pdf, accessed 9/12/11

Now tell me, is this future palatable to you? Or do you somehow, almost inconceivably, not relish the thought of a xanthan gum conglomerate taking over the world’s food supply and driving us fresh-food conspiracists underground? Dan Brown, where are you?

“The Trip”: supposedly about the food?

Steve Coogan and Rob Brydon have paired up again in a new movie called The Trip  and I actually got to see it in an actual movie theater Thursday! First time I’ve been in a theater since Ratatouille came out. (Hadn’t realized that was going to be a foodie movie; at the time I just wondered why they didn’t make good movies like that for grownups anymore.)

I was going to see The Trip anyway because I’d seen Tristram Shandy several years ago on disk and got bitten by Coogan and Brydon’s backstage banter. I was looking forward to seeing how the pair,  who had played exaggerated versions of themselves in the first movie, were planning to stretch their dueling Robert deNiro and Al Pacino impressions from the end credits of Tristram Shandy–by far the best shtick in the whole thing–to a two-hour buddy road trip format.

And The Trip was also supposed to be about food–specifically, the current state of northern England’s upscale eateries (now apparently as haute as anywhere on the continent) and the shockingly savage and comical food reviewing traditions of British news media.

So I dragged my husband with me to the matinee and promptly started disregarding the “please, no talking during the film” signs. What fun is it to sit there not giggling horribly as Coogan and Brydon get on the road north to Yorkshire, or saying nothing to my mate as they try to correct each other’s Michael Caine impressions and improve on them in increasingly loud voices while being served all manner of square food on long rectangular plates lapped with flavored foams à la Adrià? With the inevitable scallops for starters, and a number of historical interludes–a sleep in one of Coleridge’s beds, visiting the church ruins in a town where Ian McKellan did not actually grow up, but it’s got the same name, so it counts?

The truth is, of course, that The Trip is much less about food (despite several spliced-in foodie snippets of what’s going on in the kitchens and pans where tasting menus are being prepared) than about love, loss, what’s left to look forward to in one’s encroaching middle-40s, and how to impress girls with your Michael Caine (or Al Pacino) impressions at a 3-star restaurant in the Yorkshire dales or the Lake District.

Of course, the sixth or seventh rendition of Michael Caine (interspersed with Pacino and friends) starts to wear even on our intrepid actors-almost-playing-themselves as they grapple with the hearts they refuse to admit are pinned to their sleeves. It turns out there’s a solid reason for this: Continue reading

Getting Mead-ieval

(plus 2 era-appropriate desserts to go with it)

Chaucer's Mead shelftalker label

Chaucer's Mead new 2010 label. Diehard homebrewers aren't as enthusiastic as Wine Enthusiast, but most of them seem young and clearly weren't expecting a dessert wine.

A couple of years ago my husband was rooting around our dwindling wine rack selection on a Halloween eve, right before the trick-or-treat crowd came by. It was actually starting to get genuinely chilly outside in the evenings…

“Hey, Deb–what is this stuff? Chaucer’s Mead?!” [squints at label] “Says you’re supposed to serve it fresh. How old is it?”

“I dunno. Last year? I forgot it was there.”

“Are you sure it’s still good?”

I started typing away to find out. “One of the Renaissance Faire bloggers says it’s really gross fresh and you’re supposed to let it age, but it looks like they mean the kind you make at home.”

Clearly neither of us was an expert.

Mead, of course, is a drink made by fermenting honey. I’d been vaguely aware of it ever since I was eight or nine years old and my dad handed me a copy of Howard Pyle’s The Merry Adventures of Robin Hood. (Quick, everybody, picture Errol Flynn or Kevin Costner, your preference, dressed up more or less as Kermit the Frog in a pointy hat and feather, leaping up onto a dead log with arms akimbo to shout “Ha-Ha-Ha-Ha!” at his fellows in a gratingly cheerful tone…)

I like reading about medieval and renaissance Europe, but I’ve never favored the Renaissance Faire approach–especially because you have to sew your own costume AND know all the names of the pieces AND how to lace them all together. A lot of participants get very snotty about each other’s authenticity. Which is fun, clearly, but I’d be the one they were getting snotty with. Also I’ve never wanted to be addressed as “wench” unless I had a huge frying pan handy to teach the knave who tried it some manners.

Also, after seeing my ex-brother-in-law’s home beer brewing setup (very successful, but then he’s English and knows his stout) I always thought that brewing mead at home would also involve big trash cans with burp valves (I mean, gas traps, though on reflection that’s actually no politer), attract a guaranteed parade of ants even in January (this being Pasadena), and that the stuff would come out cloudy and greenish and a little too authentically medieval for enjoyment.

So all in all, it wasn’t until I stumbled on a bottle at the Trader Joe’s while looking for a gift bottle of more conventional port that I ever considered tasting mead. It was enough of a novelty and the price was right–about $10. Then, of course, I put it in the wine rack and forgot about it for an entire year…which, it turns out, is the right thing to do.

Back at the kitchen counter my husband had finished squinting at the fine print, decided it probably wouldn’t kill or blind both of us at the same time, and was already opening the bottle to pour  a sip into each of two glasses. It looked and smelled like a white dessert wine–light, clear, not at all the cloudy, beerily fermenting syrup I’d been imagining. So we decided to risk it on the count of three.

Even though it looked fine, I’m not crazy about sweet dessert wines and my husband is, so I was still prepared to wince. But whatever I was expecting, it certainly wasn’t this.

It didn’t taste like honey at all–it tasted like all the flowers the honey had been made from. Somehow the brewing and aging had unlocked all the delicate nectary flavors that had been trapped inside the honey, and the flavor kept changing and shifting with every sip. A sherry glass was plenty–it was a bit rich, another surprise, because sherry hovers around 18% alcohol, and this mead was only 10%. But it was intense and fascinating.

Just then, of course, my husband spotted the little packet of spices, like a teabag, that had been hanging around the neck of the bottle and decided he really ought to mull some of the mead with them. In five minutes, the whole downstairs smelled of nutmeg. It was too cloying for me, but he liked it. (Chorus: because he’s a boy) See, though, you can get away with that for a $10 bottle, and your wife doesn’t have to get mad at you. And there was enough left to have a little unsullied mead over the next couple of days.

What to serve with it, though?  I want to keep the contrast between the mead and the food, which is going to have to be either an appetizer or a Continue reading

No-Furkey!

In the freezer case at Whole Foods this month you’ll find big boxes announcing Turtle Island’s Tofurky Feast, Field Roast’s Celebration Roast, and VegeUSA’s Vegan Whole Turkey –this last shaped and glazed brown like a large chicken, drumsticks and all. I’m not sure how I feel about this concept–I thought the idea of being vegetarian when you have enough money for a choice was not only not to eat meat, but not to want to be eating meat either.

Not that I’m against decent vegetarian meat substitutes for Thanksgiving or any other time of the year. As someone who’s kept kosher since my college years, and often in places where there was no kosher meat (or I didn’t have the budget for it), tofu or wheat gluten “mock chicken” have made eating in Chinese restaurants a lot more fun, and the good restaurants make their vegetarian dishes as serious and well-balanced as their meat dishes–sometimes better. But they generally don’t try to disguise them this far or process them this much.

Still, to each her own. But $42.99 for the big VegeUSA box at Whole Foods. The box states that it feeds 25 at 2.5 oz/serving, which is probably enough protein but only about half the volume most adults would expect. And it’s kind of expensive for something that looks very much like a well-browned rubber chicken. What’s in it? I scan the nutrition panel and don’t really notice anything but the sodium–everything else is low or moderate, especially for a holiday meal.

But the salt! 450 mg for the “turkey”–double it to 900 mg if 2.5 oz isn’t enough for you and you want seconds.  1400-plus mg for the stuffing–huh? a whole day’s worth of sodium for one serving of stuffing?  Is it that bad for conventional stuffing mix as well? You’d do better to make your own from scratch.

At this point I didn’t even look at the gravy.

Tofurky isn’t much different–650 mg sodium per serving, including stuffing. Field Roast–in the same range too. They also sell separate tubs of frozen “giblet” gravy.

Of course (full disclosure here), I’ve never actually liked gravy, and I doubt it would really go well with anything tofu, not even tofu in a rubber chicken costume.

Why do I think you could do a better and probably a lot cheaper and more festive vegetarian Thanksgiving with some kind of authentic, fresh-made main dish? Because very clearly you could. Do you want it to taste good? Or do you just want it to look like an imitation turkey?

Of course, the main thing about these frozen concoctions, even the simple cylindrical “roasts”,  is that they look like centerpiece dishes, and there’s really no knocking that desire to serve something impressive and festive and most of all, shareable at Thanksgiving. It’s important. Thanksgiving feasts demand a monument to plenty, and an inedible cornucopia with gourds and Indian corn doesn’t really cut it. Nor does a big pasta salad (although a timbale, as in Big Night…)

Surprisingly–sadly?–enough, very few vegetarian cookbooks, not even the big tomes like Mark Bittman’s How to Cook Everything Vegetarian or Veganomicon, really try for a vegetarian centerpiece dish that looks and feels like an important dish. Mollie Katzen’s title dish from The Enchanted Broccoli Forest is about the only intentionally designed centerpiece vegetarian dish I’ve ever seen. A very long time ago I actually was served this thing once at a friend’s house, with very sadly overcooked broccoli stalks stood upright in a flat casserole of brown rice. Oy, is all I can say. Not a moment of pride. Both Katzen’s and my friend’s cooking improved in later years.

None of the currently hot vegetarian cookbooks out there have an index listing for “Thanksgiving”–very telling. A lot of them have portions for 2 or 4 or just one person. Only vegetarian chili and pasta dishes are intended to serve a crowd of any size.

So vegetarian centerpiece dishes deserve some consideration. Tara Parker-Pope of the New York Times blog “The Well” has been edging around this topic for a week or so, but I don’t feel she’s really gotten to the heart of the matter–neither has anyone else. Perhaps it’s because she’s not thinking like a vegetarian?

What makes a dish a centerpiece dish? Think about the turkey, then, or a whole salmon, or a rack of lamb or the like. It’s big. It’s unified–one big item before you cut into it for serving. It’s elegant and impressive. It’s sliceable. It’s savory enough to draw people into the dining room with a sigh of Continue reading

Somewhat Scary Food

Today’s topic is particularly revolting, because it’s never too late to start considering what lies ahead at the end of this month I mean, tonight–and yes, we’re already late for the door. Yes, buying bags of generically sorta-chocolate Hershey’s and Mars brand mini candies is the accepted, sterile, utterly safe way to go on Halloween. But really, it’s not very interesting. Especially not for kids. And it’s gotten a lot more expensive in the last year, as far as I can tell.

(Though if you’re going that route–or your kid is going out trick-or-treating elsewhere–check out the Buzzle.com comprehensive candy carbs list if you need to know about that kind of thing in detail, or the little rule-of-thumb chart at the bottom of my Carb Counts page. If nothing else, it’ll keep you away from the communal candy dish at work.)

When I was a kid we went out trick-or-treating with the exhortation to touch nothing, TASTE NOTHING, until we got home and my mother could inspect it all for razor blades or dimes or other nasties that might unimaginably (except to my mom; dimes are not something most people will part with these days except for a venti with extra whipped cream and a cherry on top) be stuck in things like apples. It was an annual ritual of paranoia that lent that unnameable something–a hint of danger and excitement–to the otherwise blatantly fake costume horror. Because, of course, we were usually walked strategically to the homes of families our parents knew, just as they walked their kids to ours.

Then there was the time a friend invited me to her church’s haunted house–the activities mostly consisted of blindly sticking our hands in bowls of cold spaghetti or reaching out for something that turned out to be grapes with the skins peeled off. We were getting too old for it, really, and it was more icky than scary. But still. Somehow the innocent days of bobbing for apples and sticking your hand in cold spaghetti have gotten lost in the too-adult fear of sharing germs or getting pneumonia from having to plunge your head into a bowl of cold water.

Kids don’t get to help set up anything but the store-bought decorations anymore, and if they have any say in what treats to hand out, it’s through the universally accepted point-and-whine technique at the supermarket Halloween aisle. Reading the teeny-tiny fine print on the ingredient lists for all those mini candies, spooky and mysterious as the 4-syllable chemical names may be,  just doesn’t cut it for scariness or adventure. Nor do the huge blowup animatronic decorations–the creepy hand, the dancing skeleton, the vampire rising from the coffin to a boogie-woogie soundtrack like so many Halloween versions of the Singing Trout–is this Robert Pattinson’s future?

Most kids can’t even make their own toast these days. How are they supposed to cope with creating pickled porcupine quills or tarred hornet brittle?

Fortunately, a number of cookbooks (from before the sterilized-and-wrapped-for-your-protection era) are available from the ether or at your local library with answers to just these sorts of dilemmas. If you have a stove and a freezer and possibly a food processor or electric mixer, you stand a good chance of rescuing your young innocents from the debilitating descent into middle-aged indifference, incapacity and accountancy.

I refer here, first and foremost, to the slim but venomous contents of Roald Dahl’s culinary imagination (and that of his widow, Felicity Dahl, who unearthed these books and made sure they saw light of day). To be absolutely sure I’m doing it right, I’m starting with Volume II, Roald Dahl’s Even More Revolting Recipes (Penguin Putnam, 2001), because Volume I, Revolting Recipes, clearly wasn’t revolting enough. Only the best for my child!

What could such books possibly contain? Roald Dahl’s Even More Revolting Recipes is a fair mix of candies, sweet drinks, desserts and actual non-sweet food–this last is the real surprise. But no vegetables, unfortunately, other than a bit of decorative tomato and some oddly Martian-looking potatoes (I fervently hope they don’t sing).

In keeping with modern ideas about kids and cooking, a number of the recipes call for prefab products (the one for Tongue Rakers, a kind of onion-and-garlic-laced bread shaped like a pitchfork, calls for a “packet” of your favorite pizza dough mix rather than the basic flour-water-yeast-and-salt), and several involve the strategic use of food coloring (Hornets Stewed in Hot Tar, a black-dyed pumpkin- and other-seed brittle) or fluorescent paint Continue reading

The Altered Cheese Project

I know. It sounds like the name of a really, really bad ’80s art rock tribute band. Not that there’s anything wrong with that. (Well, actually there is; I survived the ’80s by stubbornly ignoring everything from the Talking Heads onward, especially after I went to one of their concerts and heard the drummer. Maybe it was just a bad night, but I thought only David Byrne was allowed to be that far off.)

Altering cheese also sounds like the ultimate DIY, grow-your-own, cure-your-own, grind-your-own, fill-in-the-blank foodie optimism project. Weird, more work than it’s worth, but a good experiment to try once (if you’re under 30) so you’ll appreciate the effort that goes into it all when you go back to buying the professionally made version.

You might have noticed that all the nicer cheeses that get newspaper and food magazine reviews cost upwards of $15/lb and even though I’m a cheese freak, I’m just not in that league more than once a year, perhaps on my birthday. I deserve nicer cheese than I can get at the supermarket, I just know I do.

So let me just say it: I’m nobody’s idea of a dedicated cheesemaker or affineur. Mostly because I can’t stand heating and clabbering and then pressing large amounts of milk just to get the starting curd. I also hate scrubbing everything to death before and after, and the idea of cleaning scorched milk off the bottom of a soup pot is my idea of wrong. I’m not authentic. And I don’t wanna be. Even clabbering by microwave is probably not my idea of a good time when it comes to anything more complicated than paneer or yogurt–I’m not sure it wouldn’t destroy the cultures for hard cheeses.

Last year I got the idea to start with something already in cheese form–a lot less waste of both milk and time. After all, standard bland goat cheese is pretty inexpensive–an 11-oz log is about $5, about a quarter of the price of the goats’ milk you’d need to produce it (4-5 quarts at about $4 each). So are other fresh white cheeses. And you can get inexpensive domestic brie and bleu cheeses in supermarkets and–my preference–Trader Joe’s. They’re not bad, they’re just bland compared with the European originals. But they have the requisite blue or white mold cultures you need to add flavor to other cheeses, if the cultures will take.

Last year’s achievements may give you some idea of where I’m going with this:

  • Bucheron (fresh chèvre log, bit of white mold rind from inexpensive, bland Trader Joe’s Canadian brie, sealed in a sandwich baggie with some air for about 2 months in the fridge until it ripened)
  • Bleu de chèvre or Goatgonzola (another fresh chèvre log, this time with some crumbled cheap gorgonzola in the baggie, also about 1-2 months in the fridge)

and the accidental but serendipitous

  • Marbled Feta (the byproduct of storing above-mentioned source gorgonzola next to ziplock bag containing a block of feta cheese)

But ever since I posted these first attempts at turning boring American supermarket cheese into something more flavorful and interesting, I’ve been haunted by the thought that I’d only scratched the creative surface of cheap cheese transmogrification. So I’ve been cheating with cheese yet again.

A Fungus Among Us

Goat cheese and feta are both fairly wet fresh cheeses that take mold pretty well if you do it on purpose. What about drier standard American varieties–cheddar, for instance, or brick mozzarella? These are bound to be more difficult to persuade, but if you have a bit of patience, it might be worth a try.

 

Cheddar after aging with bleu cheese mold

Cheddar after aging with gorgonzola starter

 

Now I know, normally you look to cut any developing mold spots off your cheddar–it’s what we’ve all been taught for decades. But the blue and white mold cultures are key to developing flavor and–I shouldn’t even be spelling this out–when it comes to flavor, America’s standard supermarket cheeses are in dire need of help.

Four or five weeks ago, I put a small end piece of Bel Gioioso gorgonzola in a ziplock bag with a couple of ounces from a brick of ordinary Trader Joe’s extra-sharp yellow Wisconsin cheddar and some air and kept it in an isolated part of the fridge to see what would happen. I’d actually diced the cheddar into bite-sized pieces to increase the surface area and maybe decrease the culturing time if the bleu mold managed to take.

Nothing much seemed to have happened except that the cheese looked a bit drier. No visible culturing going on at the surface. The gorgonzola crumbs had shrunk and dried out as well. But I took a cube out and cut into it with a knife, and the flavor had stopped being tangy standard cheddar and was moving toward Morbier or Emmenthal–something nuttier and more subtle. All I could think was that the cheddar was aging without actually culturing and growing the blue mold. But because the mold is a penicillium strain, what there was of it might have inhibited unwanted bacterial intrusion and helped steer the cheese toward a more nicely controlled aging process.

And then again, a week later, the mold had taken on the remaining cheddar cubes, and the taste, once I cut into it, was like a mild cheddar heading toward blue. Still not very potent, but encouraging. Continue reading

Prunes, Lentils, and “Cookin’ Cheap”

When I was a kid, PBS, which had made a gourmet name for itself with The French Chef, decided that if one chef was good, six or seven had to be better. Suddenly the public and cable airwaves were  bursting with the Frugal Gourmet, the Galloping Gourmet, Yan Can Cook, Cookin’ Cajun, various shows with Pierre Franey and Jacques Pépin, and one…ummm…less glamorous show called Cookin’ Cheap.

This was hosted by Larry Bly and Earl “Laban” Johnson, Jr. out of Roanoke, VA–-not too far from where I grew up–and featured two viewer-submitted recipes per episode, which the guys bravely cooked and sampled on the air. At the end of each show, just like Julia Child, they sat down at the table for the tasting… and decided whose recipe had come off worse.

Now, Cookin’ Cheap was not for tenderfoots–if you couldn’t handle ingredient lists that included whole sticks of margarine and self-rising flour, or bring yourself to shop in one of the ordinary supermarket chains that had never heard of organic anything (this was the South in the ’80s), you would have done better not to watch. But if down-home cooking delivered with a touch of schadenfreude was your thing, it was a great little show.

Unfortunately, my favorite early episode doesn’t seem to be available anywhere on the ‘net. But the clip above, the Cookin’ Cheap 2.0 (YouTube) version of about a third of Episode #609, will give you some idea. (see copyright disclaimer below…)

In my actual favorite episode, Bly and Johnson hit their personal limit with a recipe that had them both making faces and apologizing to the audience that “there’s cheap… and then there’s too cheap.”

The dish in question was “Lentils ‘n’ Prunes” (you can guess the entire ingredient list). And it was indeed cheap. Unfortunately lentils, though incredibly cheap and nutritious, cook up kind of gray, especially on a semi-rural public TV station with early-’80s (i.e., yellow-ocher) set lighting. Trust me when I say the addition of mashed prunes did nothing for them aesthetically or otherwise. How on earth could they have put this on the air?

Of course, these guys didn’t have to take the blame for the recipe, and it was great entertainment to see some of the strange things your neighbors might be cooking at home and writing in to the show about with high hopes of being selected. I understand the Food Network is now copying Bly and Johnson’s reality-cooking formula shamelessly for the fall lineup…

[Actually, I didn’t realize the show had such a good run, but it started locally in 1981 and only ended its nationally syndicated run in 2002. Johnson passed away a few years before the end, but he managed to publish the Cookin’ Cheap Cookbook in 1988. Bly kept the show going with Johnson’s friend and successor Doug Patterson and has since made a couple of rescued episodes available on DVD. And the show still has fans on YouTube and — surprisingly just this March–in the New York Times.

Disclaimer: YouTube removed the first clip I linked to for copyright violation–so my apologies to Bly; the intent in linking here isn’t to rip anyone off but to highlight a too-little-known show. Because the original Roanoke station managers were too shortsighted to save the episodes (they apparently trashed them!), Bly was only able to rescue a couple of episodes for the DVD, and I think some of the others posted at this point were recorded at home from TV.]

Ah, well. Times change, horizons broaden, and we aim to challenge our palates in a sophisticated world beat kind of way even with limited cash and ingredients. The wolf may be at the door, we may be on the rice and beans yet again to make up for unreimbursed conference travel, but we are determined to do it in style–that means Indian, Moroccan, Mediterranean–French? Well, at least by not mixing plain lentils and prunes together in a hideous gray mash.

…I’m not actually sure how the French feel about lentils with prunes, or what they’d do about it if you suggested it. But I have a huge bowl of cooked lentils to deal with from a 1-lb. bag at $1.29. And a 1-lb. bag of non-sorbate pitted prunes at $2.99. Less than $5 total. And a number of ideas about how to deal with each of them, separately or together. Enough ideas that I’m probably going to have to split this post so it doesn’t turn into War and Prunes.

This, I think, is going to become my How to Cook a Wolf Challenge, 21st Century Edition.

Because I have fantasies (not many, and relatively tame though entertaining) of the Iron Chef America and Top Chef hosts announcing, for the next quickfire competition, a challenge to find three or four good ways to combine lentils and prunes in dishes where they’re the main ingredients and for which the total bill for the tasting menu comes to something like $10, including spices (prorated as used…) Can’t you just see the contestants’ faces? Take a moment to enjoy their obvious panic. The restaurant industry hasn’t trained them for this.

But seriously. What was actually behind this Cookin’ Cheap dealbreaker, other than the obvious frugality factor plus the even more obvious digestive humor that follows prunes and lentils wherever they roam?

Is there any way on earth that prunes and lentils could really go together?

Well…yes, as a matter of fact. You don’t run across prune and lentil recipes everyday, but good-tasting and intriguing variations, or at least the components of them, exist in a number of respected cuisines around the globe. Even French. For very little more than it cost the Cookin’ Cheap guys, Continue reading

I have GOT to see this

Kings of Pastry

Kings of Pastry

“Kings of Pastry”, a new documentary about the Meilleurs Oeuvriers de France competition by D.A. Pennebaker (Bob Dylan documentary “Don’t Look Back”) and Chris Hegedus (“The War Room”). Unfortunately I missed it last night at the LA Film Festival–what can you do?

See the trailer–looks like a good time.

Oranges as a savory

Artichoke-Orange Salad

Oranges in a savory compote with artichoke hearts

A few weeks ago, I ran across a food article by Amanda Hesser, in which she recounted her recent experience of being served a green salad with red onions, Greek olives, and oranges in it. What struck me was the way she fumed at length over having missed out for so long on this simple culinary classic.

I grew up in a Jewish household in the early 1970s, at about the time when felafel and hummus and tabouleh started making their way west into American Jewish cooking. These, along with pita, tomato-cucumber-pepper type salads and eggplant everything, were part of the larger Jewish cultural revival after the Six-Day War. Jewish cookbooks started embracing the Lebanese, Sephardic, North African, and Persian influences on Israeli food as a complement to the more familiar Ashkenazi fare. Orange salads just seemed to fit in.

In any case, orange salads have been published in Jewish and Mediterranean-leaning cookbooks for at least 25 years–notably Paula Wolfert’s Couscous and Other Good Food from Morocco, one of my first cookbook purchases once I came back from my own year as a kibbutz volunteer.

Three orange salads

The simplest orange salad I make is a basic green salad with oranges rather than tomatoes, and it goes well with oil-and-vinegar or mustard vinaigrette. Another, more of a fruit salad, is orange and/or grapefruit segments or slices mixed with a dressing of a cup of yogurt, a spoonful of ordinary red wine vinegar, a spoonful of sugar, and curry powder to taste, maybe half a teaspoon or so, enough to make it yellow-orange and aromatic, not enough to be bitter.

Another more elegant take on the green salad is something I made a few times in my early cooking days for buffet lunches at my synagogue–orange slices sprinkled sparingly with orange blossom water and a grinding of cardamom, laid down in overlapping rows on a bed of vinaigrette-dressed romaine in a tray, and red onion rings, sliced Kalamata olives, red bell pepper rings, crumbled feta, and chopped fresh basil strewn over the oranges. It was a bit much for serving at home, but it made a beautiful buffet dish, and it always got eaten.

So oranges can serve quite nicely in fresh salads, but what about in hot dishes? There’s the rub.

Orange peel I have no trouble imagining in hot savories–a number of Chinese classics use it (beef with orange peel, etc.), and so does duck à l’orange. Cooked oranges, on the other hand, always disappoint me–somehow the structure collapses, the color fades, and so does the bright acidity. They end up pulpy and stringy and less than half as good as fresh raw pieces would have been. But people persist in cooking with them–so I thought I would give a different Paula Wolfert cookbook a try.

The Slow Mediterranean Kitchen: Recipes for the Passionate Cook
(2003) features one really unusual orange-based savory: an Algerian Jewish sweet-and-sour compote of artichoke hearts and orange sections glazed in orange juice. With garlic and olive oil. Hard to imagine–does garlic go with oranges?–but so close to my standard marinated artichoke hearts, at least theoretically, that I decided to chance it and see. Continue reading