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    raw blueberry pie with microwaveable filling and graham cracker crust

    This mostly-raw blueberry pie is a snap to make and very versatile--the filling microwaves in a few minutes, and you don't even have to bake the zippy gingered graham cracker crust--perfect for a hot Fourth of July and all summer long.

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Italian Impromptu: Not Bad for an Actor (and Son)

"Don't Fill up on the Antipasto" by Tony and Marc Danza on Amazon.comDon’t Fill Up On the Antipasto by Tony and Marc Danza (Scribners, 2008)

I wasn’t expecting very much from a celebrity cookbook–mostly schmooze, a few loosely slapped-together recipes. I wasn’t actually wrong, but aside from a little kitsch here and there, and a dopey, gushy foreword from Jackie Collins, Don’t Fill Up On the Antipasto is a better-written, more down-to-earth read than you might think. Instead of a prolonged bout of “Remember me? I used to play —- on Taxi!” drivel (though there is a little; practically obligatory in a celeb cookbook), it’s mostly a Brooklyn childhood memoir with old-style Italian recipes–a throwback to the 1950s and 1960s, but a version that didn’t make it on-air in all those 1970s sitcoms.

Although the book is co-written with his son, with a few asides to Marc for his “modern” Southern California-style recipes and confirmation of one or another family anecdote (and repeat photos and mentions of the all-important toddler grandson), most of the stories and recipes are Tony’s.

Danza’s stories of his childhood in Brooklyn are the real draw for this book. He grew up in the postwar generation, at a time when children were given a lot less privilege and a lot less stuff, spanked a lot more often (and not just by their parents–any family member had authorization), and expected to be much more self-reliant at younger ages than they are today. The uncles and aunts and grandparents all lived close enough to see each other every week, and their personalities (and recipes, and foibles, and jokes, and tempers) feature prominently in the book. The result is a look back into a simpler, more direct, and often warmer way of family life than the one most of us recognize today, even if we’re old enough to remember it.

Danza was not born into a down-and-out family, certainly not for the times right after World War II. His parents were working-class, first-generation American, and when his father came home from the war with a Bronze Star, he went to work as a city garbageman. Unlike today, it was a respected job that could support a family. Instead of jeering, the neighborhood kids envied Danza for getting to ride down the street in his father’s truck. The family sent him to a Catholic parochial school and expected him to work hard at his studies, stay out of fights and gangs, and go into a profession.

It was the typical pattern for immigrant families almost anywhere in New York at that time and very close to my parents’ childhoods. Right down to the Army photo of Danza’s father, which suddenly appeared in the middle of the book and startled the hell out of me. Except for the face and the specifics of his uniform, Matty Iadanza’s official Army portrait with its distinctive Continue reading